LCD television

That said, OLED will get cheaper. In addition, efficiency is improved, as intermediate colors wavelengths are not present anymore and don't have to be filtered out by the RGB color filters of the LCD screen. The number of discarded panels has a strong effect on the price of the resulting television sets, and the major downward fall in pricing between and was due mostly to improved processes. At the same time, plasma displays could easily offer the performance needed to make a high quality display, but suffered from low brightness and very high power consumption.

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Another problem in early LCD systems was the voltages needed to set the shutters to a particular twist was very low, but that voltage was too low to make the crystals re-align with reasonable performance.

This resulted in slow response times and led to easily visible " ghosting " on these displays on fast-moving images, like a mouse cursor on a computer screen. Even scrolling text often rendered as an unreadable blur, and the switching speed was far too slow to use as a useful television display.

In order to address these problems, modern LCDs use an active matrix design. Instead of powering both electrodes, one set, typically the front, is attached to a common ground. A new addressing line, the gate line , is added as a separate switch for the transistors. The rows and columns are addressed as before, but the transistors ensure that only the single shutter at the crossing point is addressed; any leaked field is too small to switch the surrounding transistors.

When switched on, a constant and relatively high amount of charge flows from the source line through the transistor and into an associated capacitor. The capacitor is charged up until it holds the correct control voltage, slowly leaking this through the crystal to the common ground. The current is very fast and not suitable for fine control of the resulting store charge, so pulse code modulation is used to accurately control the overall flow.

Not only does this allow for very accurate control over the shutters, since the capacitor can be filled or drained quickly, but the response time of the shutter is dramatically improved as well. A typical shutter assembly consists of a sandwich of several layers deposited on two thin glass sheets forming the front and back of the display. The rear sheet starts with a polarizing film, the glass sheet, the active matrix components and addressing electrodes, and then the director.

The front sheet is similar, but lacks the active matrix components, replacing those with the patterned color filters. Using a multi-step construction process, both sheets can be produced on the same assembly line. The liquid crystal is placed between the two sheets in a patterned plastic sheet that divides the liquid into individual shutters and keeps the sheets at a precise distance from each other.

The critical step in the manufacturing process is the deposition of the active matrix components. These have a relatively high failure rate, which renders those pixels on the screen "always on". If there are enough broken pixels, the screen has to be discarded. The number of discarded panels has a strong effect on the price of the resulting television sets, and the major downward fall in pricing between and was due mostly to improved processes.

To produce a complete television, the shutter assembly is combined with control electronics and backlight. The backlight for small sets can be provided by a single lamp using a diffuser or frosted mirror to spread out the light, but for larger displays a single lamp is not bright enough and the rear surface is instead covered with a number of separate lamps.

Achieving even lighting over the front of an entire display remains a challenge, and bright and dark spots are not uncommon. In a CRT the electron beam is produced by heating a metal filament, which "boils" electrons off its surface. The electrons are then accelerated and focused in an electron gun , and aimed at the proper location on the screen using electromagnets.

The majority of the power budget of a CRT goes into heating the filament, which is why the back of a CRT-based television is hot. Since the electrons are easily deflected by gas molecules, the entire tube has to be held in vacuum. The atmospheric force on the front face of the tube grows with the area, which requires ever-thicker glass. The lack of vacuum in an LCD television is one of its advantages; there is a small amount of vacuum in sets using CCFL backlights, but this is arranged in cylinders which are naturally stronger than large flat plates.

Removing the need for heavy glass faces allows LCDs to be much lighter than other technologies. Since the CRT can only bend the electron beam through a critical angle while still maintaining focus, the electron gun has to be located some distance from the front face of the television.

In early sets from the s the angle was often as small as 35 degrees off-axis, but improvements, especially computer assisted convergence, allowed that to be dramatically improved and, late in their evolution, folded. LCDs can, in theory, be built at any size, with production yields being the primary constraint. As yields increased, common LCD screen sizes grew, from 14" 35 cm to 30" 70 cm , to 42" cm , then 52" cm , and 65" cm sets are now widely available.

This allowed LCDs to compete directly with most in-home projection television sets, and in comparison to those technologies direct-view LCDs have a better image quality. LCDs are relatively inefficient in terms of power use per display size, because the vast majority of light that is being produced at the back of the screen is blocked before it reaches the viewer.

To start with, the rear polarizer filters out over half of the original un-polarized light. Examining the image above, you can see that a good portion of the screen area is covered by the cell structure around the shutters, which removes another portion. After that, each sub-pixel's color filter removes the majority of what is left to leave only the desired color. Finally, to control the color and luminance of a pixel as a whole, some light is lost when passing the front polarizer in the on-state by the imperfect operation of the shutters.

For these reasons the backlighting system has to be extremely powerful. In spite of using highly efficient CCFLs, most sets use several hundred watts of power, more than would be required to light an entire house with the same technology.

Plasma displays are worse; the best are on par with LCDs, but typical sets draw much more. Modern LCD sets have attempted to address the power use through a process known as "dynamic lighting" originally introduced for other reasons, see below. This system examines the image to find areas that are darker, and reduces the backlighting in those areas. CCFLs are long cylinders that run the length of the screen, so this change can only be used to control the brightness of the screen as a whole, or at least wide horizontal bands of it.

This makes the technique suitable only for particular types of images, like the credits at the end of a movie. Sets using distributed LEDs behind the screen, with each LED lighting only a small number of pixels, typically a 16 by 16 patch, allow for better local dimming by dynamically adjusting the brightness of much smaller areas, which is suitable for a much wider set of images.

Another ongoing area of research is to use materials that optically route light in order to re-use as much of the signal as possible. One potential improvement is to use microprisms or dichromic mirrors to split the light into R, G and B, instead of absorbing the unwanted colors in a filter. A successful system would improve efficiency by three times. Another would be to direct the light that would normally fall on opaque elements back into the transparent portion of the shutters.

All of these technologies directly produce light on a sub-pixel basis, and use only as much power as that light level requires. The lower power requirements make these technologies particularly interesting in low-power uses like laptop computers and mobile phones. These sorts of devices were the market that originally bootstrapped LCD technology, due to its light weight and thinness. Early LCD sets were widely derided for their poor overall image quality , most notably the ghosting on fast-moving images, poor contrast ratio, and muddy colors.

In spite of many predictions that other technologies would always beat LCDs, massive investment in LCD production, manufacturing, and electronic image processing has addressed many of these concerns. Early LCDs had response times on the order of hundreds of milliseconds, which made them useless for television.

A combination of improvements in materials technology since the s greatly improved this, as did the active matrix techniques. This was still not fast enough for television use. NEC noticed that liquid crystals take some time to start moving into their new orientation, but stop rapidly. If the initial movement could be accelerated, the overall performance would be increased.

NEC's solution was to boost the voltage during the "spin up period" when the capacitor is initially being charged, and then dropping back to normal levels to fill it to the required voltage. A common method is to double the voltage, but halve the pulse width, delivering the same total amount of power. In older displays the active matrix capacitors were first drained, and then recharged to the new value with every refresh.

But in most cases, the vast majority of the screen's image does not change from frame to frame. By holding the before and after values in computer memory , comparing them, and only resetting those sub-pixels that actually changed, the amount of time spent charging and discharging the capacitors was reduced.

Moreover, the capacitors are not drained completely; instead, their existing charge level is either increased or decreased to match the new value, which typically requires fewer charging pulses. This change, which was isolated to the driver electronics and inexpensive to implement, improved response times by about two times. But even this is not really fast enough because the pixel will still be switching while the frame is being displayed.

One way to further improve the effective refresh rate is to use "super-sampling", and it is becoming increasingly common on high-end sets. Since the blurring of the motion occurs during the transition from one state to another, this can be reduced by doubling the refresh rate of the LCD panel, and building intermediate frames using various motion compensation techniques. This smooths out the transitions, and means the backlighting is turned on only when the transitions are settled.

Another solution is to only turn the backlighting on once the shutter has fully switched. In order to ensure that the display does not flicker, these systems fire the backlighting several times per refresh, in a fashion similar to movie projection where the shutter opens and closes several times per frame. Even in a fully switched-off state, liquid crystals allow some light to leak through the shutters. This limits their contrast ratios to about This lack of contrast is most noticeable in darker scenes.

To display a color close to black, the LCD shutters have to be turned to almost full opacity, limiting the number of discrete colors they can display. This leads to "posterizing" effects and bands of discrete colors that become visible in shadows, which is why many reviews of LCD TVs mention the "shadow detail".

Since the total amount of light reaching the viewer is a combination of the backlighting and shuttering, modern sets can use "dynamic backlighting" or local dimming to improve the contrast ratio and shadow detail. If a particular area of the screen is dark, a conventional set will have to set its shutters close to opaque to cut down the light. However, if the backlighting is reduced by half in that area, the shuttering can be reduced by half, and the number of available shuttering levels in the sub-pixels doubles.

This is the main reason high-end sets offer dynamic lighting as opposed to power savings, mentioned earlier , allowing the contrast ratio across the screen to be dramatically improved. While the LCD shutters are capable of producing about However, the area of the screen that can be dynamically adjusted is a function of the backlighting source.

CCFLs are thin tubes that light up many rows or columns across the entire screen at once, and that light is spread out with diffusers. The CCFL must be driven with enough power to light the brightest area of the portion of the image in front of it, so if the image is light on one side and dark on the other, this technique cannot be used successfully. This allows the dynamic backlighting to be used on a much wider variety of images.

Edge-lit displays do not enjoy this advantage. These displays have LEDs only along the edges and use a light guide plate covered with thousands of convex bumps that reflect light from the side-firing LEDs out through the LCD matrix and filters. LEDs on edge-lit displays can be dimmed only globally, not individually. The massive on-paper boost this method provides is the reason many sets now place the "dynamic contrast ratio" in their specifications sheets.

There is widespread debate in the audio-visual world as to whether or not dynamic contrast ratios are real, or simply marketing speak. However, since there are no major manufacturers of plasma displays left. Contrast leaders are now displays based on OLEDs. Color on an LCD television is produced by filtering down a white source and then selectively shuttering the three primary colors relative to each other. For more info, check out the basics of contrast ratio and why it's important to understand contrast ratio.

There are also plenty of p LCDs. Refresh rate is important in reducing motion blur, or the blurring of anything on screen that moves including the whole image if the camera pans. This is despite the marketing numbers claiming much higher refresh rates. Learn what refresh rate means and if your TV really is Hz. It's an expansion of contrast ratio, an improvement in brightness, and more. Which is to say, done well, both are good. You need HDR content though. It's an expansion of the colors possible on "standard" TVs.

Think richer, deeper and more vibrant colors. The smallest triangle circles at corners is what your current HDTV can do. The next largest squares is P3 color.

The largest triangle edges is Rec One of the main downsides of LCD TVs is a change in picture quality if you sit away from dead center as in, off to the sides.

How much this matters to you certainly depends on your seating arrangement, but also on how much you love your loved ones. If you're sitting off to the side, curved screens may let you see the far side of the screen better but views of the closer side are going to remain as bad or worse. Uniformity refers to the consistency of brightness across the screen.

OLED is much better. Unlike plasma, however, it isn't perfect, with some early models having parts of the screen look slightly dimmer.

OLED's energy consumption is directly related to screen brightness. The brighter the screen, the more power it draws. It even varies with content. A dark movie will require less power than a hockey game or ski competition. The energy consumption of LCD only varies depending on the backlight setting. The lower the backlight, the lower the power consumption.

The only way to make OLED more energy-efficient is to reduce its brightness, but since that reduces its contrast ratio as well, it's not ideal. So we'll give this category to LCD, even though it's fairly close and neither uses much power.

Here's what you need to know about TV power consumption for more info. If you're the type of person who can't stop worrying about the longevity of their TV, then I guess LCD is your only option. Though keep in mind, there's no guarantee about those either, as any glance at Amazon or Internet forums will tell you.

All TVs can " burn in ," or develop what's called "image persistence," where a ghost of an image remains on screen. It's really hard to do this with most LCDs. It's slightly easier with OLED. However, watching something else for a few minutes should fix the issue. In neither case is it as sticky as it tended to be on some older plasma TVs.

LCD TVs are available in a vast array of sizes, from less than 20 inches to more than inches. It's going to be a long time before OLEDs are that price. That said, OLED will get cheaper. LCD dominates the market because it's cheap to manufacture and delivers good enough picture quality for just about everybody.